before the dimestore takes a two-week hiatus, we wanted to leave you with this utterly gorgeous offering from greek producer may roosevelt. “air” is culled from roosevelt’s forthcoming full-length junea, out october 23rd via inner ear records, and it’s an appropriately atmospheric track packed with swaths of ethereal vocals draped over brassy synth swells and a persistent four-on-the-floor pulse. taken together, the components of “air” are decidedly chilly yet somehow enveloping, comforting; an analogue to the crisp autumn days that will define the hemisphere in the days to come. find solace below.
christian gunning’s production as shelf nunny has always been methodically downtempo, a gorgeously chilly tapestry with pelagic undertones fitting for a project in close proximity to the puget sound. next friday, gunning will release little time we have, his sophomore extended play, that ventures to an outpost on the hazy border between electronic and pop music.
for a primer, enter “washed out.” the extended play’s third track (and, consequently, its centerpiece) is one of two offerings to feature toronto-based audioopera on vocals, a partnership spurned by a previous, positive collaborative experience. his airy, ethereal falsetto nestles somewhere in the middle of the texture, right alongside a sparse rhythm section and flittering snippets of melody, an initially hesitant union that blossoms into something spectacular during the song’s second half.
little time we have is out september 29th via hush hush records. take a listen to “washed out,” which premieres here on the dimestore, below.
little more than a year after releasing harland, the montreal-based singer-songwriter harley alexander is gearing up for the advent of a new mini-album, spill kid. alexander leads somewhat of a nomadic lifestyle, splitting his time between performing in montreal and planting trees clear across the country, just outside of vancouver. it was on the west coast that this latest batch of songs took shape; nestled in amongst nurturing tape hiss and warm acoustic guitars are slightly poignant ruminations on alexander’s surroundings.
“tiny bricks,” the first offering from alexander’s forthcoming release, studiously evokes every facet of this aesthetic. inside a simple structure of drum programming and softly-strummed chords lies a hazy narrative, one that examines the soothing familiarity of nature as it relates to a smattering of interpersonal vulnerability. punctuated by a mournful melodic motif that sustains throughout its coda, “tiny bricks” is an excellent glimpse into the intimate environment that is spill kid.
spill kid arrives october 20th via sports day records. marinate in “tiny bricks” below.
erik walters is poised to release his latest album as silver torches, let it be a dream, on october 6th. after releasing the mid-tempo, melancholic earworm “if i reach” last month, walters and company returned earlier this week with “keep the car running,” a poignant burst that refines a focus on keyboard-driven americana.
the silver torches home base of seattle may not conjure up visions of wide open expanses, but cross the cascades into eastern washington and your tune will quickly change. “keep the car running,” in all its narrative glory, might as well be wed to that singular desert landscape; between walters’ swaying cadence and a steadfast underlying propulsion, the band’s latest single almost demands to be experienced while meandering through rural america.
take a listen to “keep the car running” below.
ryan gebhardt recently began crafting a singular songwriting persona under the mononym stanley, sculpting a warm, lived-in iteration of guitar pop perfect for the changing seasons. though the public unveiling of this project aligns rather nicely with his relocation to minneapolis, gebhardt actually wrote and recorded his self-titled debut full length in various locations on the east coast.
perhaps that’s why tracks like album standout “don’t you know i’m alright,” which comes on the heels of previous singles “daylight sun” and “brewin’ up,” feel like a pair of worn-in shoes, a troubadour’s foresight into a cross-country voyage.
at the forefront of most stanley compositions is a tandem force: gebhardt’s easy-going lead vocal and the bleary guitar melodies that meander in and out of the conversation. “don’t you know i’m alright” is no exception; a mournful slide guitar swoops and slides across the verses before tightening up into a motif that’s as memorable and assured as the titular refrain. warmth and ennui rarely collide in such a manner.
stanley is out september 22nd via the joint forces of forged artifacts and king forward records. “don’t you know i’m alright,” the album’s third single, premieres below. explore.