eric wells’ output as sayth is becoming more refined, more sobering; his collaborative ep with north house, body pillow, is often a bummer in tone yet beautiful to listen to and digest. “maybe god is afraid of us?” is an especially listless cut about a fracturing relationship and its aftermath, sentiments explored in detail throughout its brand new music video. wells’ brother spencer again helms the director’s chair for the clip and pieces together a melancholy montage of coping mechanisms that culminate in a scene that’s simultaneously tranquil and jarring. check out the video below.
sayth and north house began teasing their collaborative project, body pillow, in the early months of summer with “pink pistols,” a staple in sayth’s live repertoire elevated by meticulous production from north house. the duo subsequently went silent for the month of july, building anticipation before releasing a steady stream of material this month. “under water • under ice” is the final piece of body pillow to surface, a brooding outing devoid of any guest spots which allows sayth to jockey between a bleak, realistic outlook on life (see also: the melancholy delivery of the line “wave hi to the cancer”) and the incendiary hook “this is for the kids that know that words matter / break a broken window theory / watch that shit shatter,” a sentiment that feels like a suitable mantra for sayth’s persona. most notably, “under water • under ice” largely wanders away from non-sequitur crutches at the behest of north house’s steady arpeggios and shadowy synth pads, the production’s uniformity allowing sayth the space to create a serious, cohesive narrative to complement the one doled out on “pink pistols.”
body pillow is available to stream and download here. take a listen to “under water • under ice” below.
eric wells is a fixture in wisconsin’s diy scene right now. he gigs constantly around the state and frequently crosses the state line to rap in the minneapolis/st. paul area; when he’s not performing, wells dedicates a majority of his time to tirelessly promoting the other local musicians around him, enthusiastically sharing their new work via co-ordinated social media blasts and plugging all-ages events. this tireless networking has yielded fruitful results; much of this past year has been spent developing lowkey radical, a burgeoning record label that hosts many of wells’ most-trusted collaborators.
one of the label’s first releases will be body pillow, a four-track co-op between wells and alex tronson, a minneapolis-bred producer who performs as north house. the duo chose to eschew conventional release format, opting instead to slowly share each song individually before sending out pre-ordered physical copies; so far, body pillow has featured “pink pistols” with its searing macklemore slam and “a formal apology to grandma wells,” a non-sequitur-laced commentary on awkward family vacations with a prominent guest verse from wealthy relative.
the project’s third single, “maybe god is afraid of us?”, is comparatively introspective, defined by a murky, futuristic north house beat and a heartbreaking display of vulnerability from wells as he anticipates the inevitable end of a relationship. compounded by an indelible guest hook from baby blanket, the track is a pensive comedown, providing extensive levels of depth and contrast to body pillow as a cohesive unit. “maybe god is afraid of us?” is streaming for the first time ever right here on dimestore saints; listen to the premiere above, and read on below for an exclusive interview with sayth about the creation of body pillow and his plans for the new label.
you worked with north house a bit on bad habitat last year. what led the two of you to want to make a fully collaborative project?
since the release of bad habitat, north house has become one of my best friends. last winter i started performing with him more and more, just to have someone else to jump around with on stage and hang with in green rooms. i have a lot of respect for his drive as a producer. he’ll sit down and spend whole days working on one beat and he’s constantly posting them on places like reddit’s r/futurebeats, searching for critique and feedback. i’ve seen his production style improve and evolve solely from having the ambition to ask for help and take advice. this ep just felt really natural; i’d have new raps and be like, “you got any beats?” he’d play me something and i’d jump around and just start rapping to it. that’s how the whole thing happened; we just did whatever felt right. i love working with him because he has his own lane and an impressive body of solo work. he’s also one of the easiest people to travel with and likes to party just as much as i do, so that doesn’t hurt.
what’s the ethos behind body pillow? what frame of mind were you in when writing its material?
the bulk of this project was written in late 2014/early 2015, in the cold wisconsin winter. i was drinking a lot of whiskey and living on a shoestring budget. to me, each track on body pillow seems to have a more concrete theme than bad habitat’s songs did, though that was never my intention setting out. for example, i wrote my verse for “a formal apology to grandma wells” about a vacation i took with my family to north carolina where i basically just drank johnny walker red and sat by the pool the whole time feeling like a loser. when we took the trip i had just turned twenty-one and was living illegally in a tiny shared room near downtown eau claire, still unsure if dropping out of college was the right choice. pair that with a week-long family reunion in a house with all of my cousins and you get a verse full of self-doubt and uneasiness.
the two tracks released so far lean heavily on outside contributions, be it videography or a guest verse. how important have your friends been to the shape body pillow has taken?
very important. in the last year i’ve really started surrounding myself with friends that create music-related content in some way, whether that’s design, video work, beats, raps, whatever. a solid portion of navigating my place in music has been figuring out what i’m good at, and what my friends are better at. i can rap, but i can’t design my way out of a paper bag or storyboard a video – well, i could, but not on a professional level. i feel very blessed. dan forke, whom i’ve been friends with since middle school, has done wonders as my art director. my brother spencer is a professional photographer and is super experienced with video work. north house knows how to master a track in a flash, and make it sound radio-ready. that’s the idea of lowkey radical: we all contribute our strengths to each other’s art so that the content we put out is the best it can be. sayth on a surface level is just me rapping, but there’s a squad of people helping me out.
the production on “maybe god is afraid of us?” feels a bit darker and more cerebral than other tracks on body pillow. did this inform your lyrical direction at all?
i actually wrote those two verses to a riley lake beat. i played two shows with him in early november of 2014 and he gave me a beat tape he had produced. after i wrote it i asked him about the beat and he said rory (ferreira, aka milo, aka scallops hotel) had already claimed it. so then i found this north house beat and i thought the verses fit really well. i wrote the hook in january and tried to sing it with some autotune but it was sounding really goofy. then we added luke (baby blanket) recently and it felt solid right away; his voice already sounds autotuned.
“maybe god is afraid of us?” feels very tender. can you speak to your headspace for this particular track, abstractly if need-be?
i wrote that song while i was in a relationship and essentially predicted its expiration. the song is about losing productivity to love and the anxieties that come with that. love is expensive.
what’s next for you? are you going to play out with the body pillow material for awhile, or are you looking ahead to new projects?
we’re cutting more tracks for a november or december release. i moved to minneapolis recently; i’m living at a basement venue called green greens with alex adkinson (formerly of soflty, dear) and he basically has a studio in his room so we can record whenever we want. i love living here. i sleep in the basement and it’s grungy and i feel like a pirate. tickle torture is playing here in september; i love that i can sit in my bed and watch bands play. luke, wealthy, and north house are always around so we’re cooking up new songs all the time.
as far as immediate releases go, i’m focusing most of my effort on getting out eps for the rest of the label. dan has one set to go for late august, astral samara is dropping his debut tape in september, and we have a lowkey radical compilation tape coming out in october.
one more collaborative track from sayth and north house is due soon. we’ll also be following the developments of lowkey radical closely as the fall progresses. stream “maybe god is afraid of us?” one more time to let it sink in, and then visit sayth and north house on all of their socials.
eau claire-bred rapper eric wells has been no stranger to dimestore saints; his 2014 ep bad habitat landed on our year-end best-of list, and we’ve been keeping close tabs on his subsequent projects. wells is prepping his latest release as sayth, a collaborative effort with producer north house called body pillow, and today he shared the projects’s second single. “a formal apology to grandma wells” is powered by an absolutely filthy bass line and continues to showcase wells’ lyrical adroitness as he fluctuates effortlessly between slight self-deprecation and tongue-in-cheek references. a large chunk of “grandma wells” is then ceded to sayth’s frequent collaborator wealthy relative before a soothing gang-vocal hook sees the track home. body pillow is out later this month; listen to “a formal apology to grandma wells” below.
the electronic music and hip-hop scenes in eau claire have been feeding off of each other for some time now, and there’s perhaps no better example of this than the recent collaborations between sayth (eric wells) and north house (alex tronson). after teaming up for a track on sayth’s excellent 2014 ep bad habitat, the duo plan on releasing a four-song collection of music, body pillow, together at the end of this month. the ep’s lead single, “pink pistols,” has been floating around in sayth’s live repertoire for awhile, and it feels rejuvenated by north house’s signature production that pits crisp, rapid-fire drum beats against soothing synth pads and earthy bass lines.
sayth has long been adept at crafting autobiographical narratives that have increasingly functioned as anthems for anyone disillusioned by a heteronormative mainstream society, and “pink pistols” only furthers that penchant. amidst deriding the cyclical nature of social media, name-checking the main thoroughfares in downtown eau claire, and shouting out his mom, wells again grapples with familial and societal resistance towards his sexuality, culminating in the searing finale “macklemore made a million off of gay rights / thanks bro, this is actually my real life.”
“pink pistols” dropped as a cohesive audio/visual experience yesterday, with wells’ older brother spencer directing a monochromatic clip following sayth around new york city. woven through shots of sayth riding the subway and performing shows are a sequence of dates with the same guy, bookended by a kiss. as impose noted in their premiere yesterday, this casually subverts how queerness is often portrayed in the media, integrating each kiss into the overarching storyline rather than making the act itself into a grand spectacle. there’s a lot to absorb here; spend some time with “pink pistols” below, and look for the rest of body pillow in the coming weeks.