most anticipated albums of 2016

most anticipated 2016kanye snubbed us in 2015.  frank ocean snubbed us in 2015.  rihanna snubbed us in 2015.  james blake snubbed us in 2015.  for every high-profile album that did emerge this year, there seemed to be one that was withheld; as we inch closer to 2016, we’re taking a look at fifteen albums that will hopefully see the light of day in the new year.  alphabetical order is your friend.  dig in after the jump.

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chairliftedchairlift – the two singles chairlift released this fall indicate that the brooklyn duo’s forthcoming album moth, due out january 22nd, will be a bit darker and more ominous than its predecessors, but still more than capable of delivering a smattering of memorable hooks.

daughter banddaughter – not to disappear will most likely be the first impressionable full-length of 2016.  both “doing the right thing” and “numbers” double down on the themes of isolation and incredible sadness explored on if you leave, and the trio’s instrumentation is as lush and expansive as ever.

field divisionfield division – 2015 was a quiet year for the nashville-via-iowa duo, but we’re hoping that field division drop off their full-length follow-up to 2014’s excellent debut reverie state sometime very soon.

florist bandflorist – emy sprague’s appropriately-bucolic quartet florist popped up on our radar earlier this fall with holdly, a compact ep crammed with sharp songwriting and memorable melodies that thankfully serves as a placeholder for the birds outside sang, a full-length coming january 29th via double double whammy.

frank oceanfrank ocean – who knows where frank ocean is at?  the follow-up to his profound 2012 album channel orange is still missing-in-action, and probably will be for some time.  here’s to hoping that 2016 is the year that it finally surfaces.

james blakejames blake – radio silence was due in the spring of 2015, then the fall, and now the album is promised in the early months of 2016.  we’ll wait; hopefully it arrives in the dead of winter and provides solace for those cold, cruel months.

kanye westkanye west – yeezy season is perpetual.  kanye teased snippets of what could be on swish – “all day,” “fourfiveseconds,” “only one,” “wolves” – throughout 2015, but the album’s name could change again, and its release date certainly isn’t set in stone.  expect the internet to collectively lose it when new kanye material does drop, though.

mmryhsememoryhouse – one of the more pleasant surprises of this year has been the reemergence of memoryhouse.  the canadian dream-pop duo are prepping their sophomore album, soft hate, for a january release, and sneak peaks “dream shake” and “arizona” suggest the two have picked up right where they left off in 2012.

mick jenkinsmick jenkins – the healing component is the end game that mick jenkins has hinted at all along.  2014 delivered a very well-received mixtape in the water[s] followed by a new ep this year, wave[s], so it stands to reason that a proper full-length would come next.

pillar pointpillar point – scott reitherman will continue to hone his signature brooding electro-pop on marble mouth, out january 22nd via polyvinyl.  “dove” is already pillar point’s best work to date, accentuating both extremities of reitherman’s timbral spectrum; the rest of the album should at least be on par.

pity sexpity sex – michigan quartet pity sex effortlessly blended shoegaze with bits of pop-punk and emo on their excellent 2013 debut feast of love, and now the band is gearing up to drop white hot moon this coming spring via run for cover records.  be ready for ample amounts of forlorn looks.

the 1975the 1975 – if you want a huge pop record in 2016, you probably won’t have to look any further than the 1975.  matt healy’s manchester outfit is slated to release i like it when you sleep, for you are so beautiful yet so unaware of it in february, and its early singles hint at a massive, killers-esque synth-pop romp.

tychotycho – scott hansen and company have decamped to work on the follow-up to 2014’s excellent awake.  if analog synth-driven ambient soundscapes are your thing, you’ll be particularly enthused when the new tycho album drops.

vancouver sleep clinicvancouver sleep clinic – the vancouver sleep clinic camp was frustratingly dormant all year, but project architect tim bettinson has promised something substantial in 2016.  whether that something is an album or an ep remains to be seen, however.

wild nothingwild nothing – jack tatum will deliver a new wild nothing album, life of pause, february 19th via captured tracks.  it’s the band’s first record in nearly four years, and will be a welcomed addition to an already-stellar discography.

mixtape sunday: best of 2015

 

on friday we published an ode to our favorite songs of 2015; now they’ve been repackaged as a mixtape.  our picks run in an order conducive to mixtape flow.  check back tomorrow for continued year-end coverage.

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day wave – “drag”
astronauts, etc. – “shake it loose”
tame impala – “yes i’m changing”
kendrick lamar – “king kunta”
mick jenkins – “your love”
isaac vallentin – “stewardess”
sayth & north house – “under water • under ice”
scallops hotel – “lavender chunk”
chairlift – “ch-ching”
foxing – “the magdalene”

best of 2015: songs

vscocam barn copypicking just ten songs to represent an entire year in music is no easy feat, but such is the plight of a minimalist music website.  the following tracks shaped the dimestore’s trajectory in 2015, from unexpected email submissions that proved riveting to a wide swath of midwest hip-hop to gorgeous post-rock soundscapes.  our picks run in alphabetical order, and you can click on the title’s link to navigate away and hear each track; dig in below.

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shake it loose coverastronauts, etc. – “shake it loose”

almost every track from mind out wandering would have pulled its weight in this slot, but “shake it loose” is a particular hallmark due to its kaleidoscopic union of pop and psychedelia.  anthony ferraro and his quintet of astronauts lock into an indelible groove right on the initial downbeat, the interplay between the guitar’s rise-and-fall motif and the rhythm section’s meticulous subdivision at the end of each phrase informing both the framework of ferraro’s vocal and the ensemble’s gradual abandonment of structure in favor of a more textural exploration.  if “shake it loose” sounds almost unfairly organic during its dreamlike sequence, that’s because it is; the entirety of mind out wandering was recorded straight to tape without ever passing through a computer, allowing each note on the album to resonate with an extra degree of authenticity.

chairlift ch-chingchairlift – “ch-ching”

caroline polachek worked with beyoncé during chairlift’s interim between full-length projects, a fruitful partnership that may have dictated the duo’s first new single in nearly three years.  “ch-ching” subverts chairlift’s penchant for constructing massive sing-along hooks by trimming the first two choruses down to sultry finger snaps and eerie vocal twists on the song’s titular sound.  still, even as the final refrain hits in all its harmonized glory, “ch-ching” retains the notion that chairlift are now comfortable outside the nostalgic confines that defined their earlier work.  there’s genuine potential for moth to be a truly cosmopolitan album.

day wave headcaseday wave – “drag”

jackson phillips drew a lot of justifiable comparison to dylan baldi’s early output as cloud nothings this year: both projects hone(d) in on home-recorded pop songs and a reverence for the guitar as a pivotal melodic instrument, but phillips’ work as day wave occupies remarkably different sonic territory.  to illustrate this point, look no further than “drag,” the earworm that first put day wave on the internet’s radar in 2015.  phillips, a percussionist by trade, puts faith in an old drum machine to anchor the song’s robust foundation while he turns his attention to an ostinato guitar motif that molds the concrete of “drag” into a majestic skyscraper.  effervescent synth countermelodies soon blossom from the track’s confident chorus, dutifully weaving throughout phillips’ slightly-downtrodden lead vocal and the bevy of arpeggios he stacks on top.  day wave takes unabashed influence from the beach boys and new order; “drag” proves that to be quite the winning combination.

foxing – “the magdalene”

st. louis quintet foxing crafted one of this year’s most affecting post-rock albums.  dealer is largely devoid of the agitation that pervaded its predecessor, the albatross, but the tension that is released is done so with remarkable poise.  “the magdalene” is a deeply personal confessional that exposes the psychological trauma conor murphy suffered during a religious upbringing, wrought with sexual suppression and guilt.  but foxing is incredibly deft at turning grief into catharsis, and “the magdalene” eventually spills over into a lush b-section where simple melodies of all timbres intertwine, propelled by a surging and syncopated rhythm section.  when murphy cries out “watch me come / undone” in his falsetto, chills linger.

isaac vallentin hederaisaac vallentin – “stewardess”

isaac vallentin wins our informal award for best blind album submission via email; if you haven’t heard hedera yet, go listen.  “stewardess” is the track that got us hooked, with its arpeggiated blueprint slowly morphing into an exquisitely subdued post-dub groove.  vallentin thrives at moving fluidly between genres throughout hedera, and “stewardess” is a microcosm of that ability; his deep, sonorous lead vocal ties everything together and ushers in a chorus of chiming synth pads for a final triumphant statement.  in a year when james blake remained dormant, vallentin delivered murky musings with equal aplomb.

kendrick lamar – “king kunta”

what’s left to write about to pimp a butterfly that hasn’t already been written?  kendrick lamar’s lauded third album reigned relatively unchallenged as the definitive piece of hip-hop in 2015, trading out the grit of good kid, m.a.a.d. city for soul samples and jazz-inclined collaborators from a resurgent l.a. scene.  “king kunta” brings the funk in the most defiant way possible, as kendrick accosts industry opportunists and fair-weather fans over a swaggering thundercat bass line while maintaining his status as a dominant lyricist in the game.  but the song’s oxymoronic title is a reference to the notion that a man is only as powerful as his the color of skin; despite achieving financial and critical success, lamar’s very existence is often systemically viewed as sub-par.  “king kunta” is an easily digestible snapshot of an incredibly dense and experimental personal odyssey, a suitable gateway into the strain of hip-hop kendrick lamar created for himself.

ick jenkins wave[s]mick jenkins – “your love”

mick jenkins teamed with a handful of producers on his new ep wave[s] for a plethora of directions; perhaps not surprisingly, his union with the perpetually in-demand kaytranada yielded the most enduring results.  “your love” is a far cry from the introspective consciousness that pervaded last year’s the water[s], with jenkins crooning and rapping about a potential transcontinental romance over an aqueous bass line paired with warm synth interjections.  it’s the closest thing to blatant r&b that jenkins has ever proffered to his audience, and “your love” slowly became our low-key song of the summer.

sayth body pillowsayth – “under water • under ice”

sayth’s collaborative work with north house across body pillow is the result of a budding friendship, but it’s also a glorious intersection of two critical young voices in minneapolis’ diy scene.  “under water • under ice” is the ep’s resolute opening statement; north house’s wobbly arpeggios stumble through his diligent snare work while sayth constructs a grim narrative for the “generation of ‘i’m fucked when i turned twenty-seven.'”  but the track’s hook fights valiantly to make the strongest impression, with sayth staring adversity and listlessness in the face and offering more positive – albeit sometimes defiant – alternatives.

out may 5th via ruby yacht/the order labelscallops hotel – “lavender chunk (ft. hemlock ernst)”

it’s a testament to rory ferreira’s unwavering dedication to create provocative and indelible art that one of his projects is represented in year-end contention for the third year in a row.  scallops hotel feels like a cleansing alternative to ferreira’s more recognized output as milo, a no-risk solution for him to explore new facets of production or to alter his songwriting approach.  plain speaking yielded some of ferreira’s most readily accessible and pointed work to date; “lavender chunk” cycles through a simple ostinato with an extended guest verse from samuel t. herring’s alter ego hemlock ernst, but ferreira hops on just in time to deliver a remarkably fluid stream of consciousness, largely devoid of the non-sequiturs that had been his crutch.  more than anything, “lavender chunk” will endure as poignant, with the outgoing statement quickly morphing into an unsettling mantra that reflects the state of things in 2015.

tame impala currentstame impala – “yes i’m changing”

tame impala was our shameless self-indulgence of 2015.  during the waning days of summer, when the dimestore headquarters packed up again and moved back across the country, currents supplied a palette of driving music that was more than adequate.  “yes i’m changing” soundtracked sunset ventures through the cascades one night and sunrise journeys through the rockies the following morning, its undeniably pristine arrangements only slightly quelled by a sub-par car stereo and a flighty aux cord.  kevin parker deserves some sort of award for writing the most prominent bass lines on psychedelic records, as “yes i’m changing” rumbles through a closing chapter in life under the direction of a low-end presence that continuously flirts with melodic territory.  in a year marked with a handful of new beginnings, “yes i’m changing” hit home.

chairlift – “romeo”

chairlifted.jpg
photo courtesy of the artist

chairlift prefaced their forthcoming album, moth, last month with “ch-ching,” a groove-laden, r&b-tinged exploration away from the sounds explored on 2012’s something.  the duo’s latest single, “romeo,” could be viewed as a return to effervescent form – the tempo is quicker, the hook is massive – but its visual accompaniment helps ground the track in a more mysterious realm.  directed by that go, the clip for “romeo” quickly becomes an eerie game of cat-and-mouse, its architect looking on with an ominous demeanor throughout its duration.  check it out below.