stadiums & shrines – dreams

– featured image courtesy of victoria masters – 

“album of the fortnight” is an occasional feature that digs into a recent release of note. the articles will run roughly during the middle and at the end of each month, always on a friday; the album or body of work in question will have been released at some point during that two-week span.  this column focuses on art that resonates deeply, on pieces that necessitate more than just a knee-jerk reaction.  next up: a compilation curated by stadiums & shrines.

What is a music blog, anyways?  caught up in a seemingly endless stream of press releases and promotional blasts, sites might adopt a reverse-chronological feed, posting multiple items per day; others may adhere more towards a one-a-day policy (hello); still others may publish more intermittently.  regardless of frequency, this small community is passionate about the craft, making a strong case that discovery and curation by human beings can be much more intimate and impactful than the work done by algorithms.

since 2011, the new york-based stadiums & shrines has drifted away from the daily grind of release cycles in favor of an excellent radio show and multimedia collaborations with beloved musicians.  the result of the latter is dreams, a sprawling compilation powered by visual artist nathaniel whitcomb’s collages and contributions from more than twenty artists.  a project that’s equally auditory, visual, and tactile, the physical release of dreams comes with a gatefold book containing “handmade collages and written vignettes — creative exchanges between musicians and … stadium & shrines,” says the site’s dave sutton in an interview with goldflakepaint.

those collages, assembled from a 1950s book on tourism, each contain images from a specific landmass – usually a country, sometimes a province or a state.  after assembly, sets of collages were delivered to specific artists; the “dreams” were the sonic interpretations that were returned, with sutton and matthew sage then adding a written narrative to the audio-visual product.

s&s dreams

many of the resulting songs can certainly be classified as ambient, but perhaps exploratory is a more thematic adjective; indeed, a handful of contributors selected their collages based on places they were visiting or would travel to soon.  wisps of maria usbeck’s tropical buoyancy swirl around the digital bonus track “mexico,” while the pastoral strains of mutual benefit are very much present in his ruminative “bali.”  while quibbling about genre could certainly occur, it’s clear that dreams did not mandate the sacrifice of an artist’s identity for the sake of a predetermined, prescribed aesthetic.  calling cards at times juxtapose or complement their counterparts, providing the compilation with a lush, three-dimensional palette.

tracks that subsequently appeared on an artist’s own project – teen daze’s “alaska” opens his 2013 full-length glacier, while ricky eat acid’s “algeria” is housed within a longer composition on three love songs – feel re-contextualized and reinvigorated here, a testament to stadiums & shrines’ dedication to sequencing.  of course, dreams also boasts stunning pieces that are brand-new to its release, like yumi zouma’s french excursion and the spanish getaway taken by julie byrne and eric littman.  julia lucille’s “norway” in particular stands out, the inherent and effective sparseness of her arrangements lending itself well to a frosty, nordic REM cycle.

like any seminal compilation, the effects of dreams can be felt in myriad ways.  the physical version of the album is bookended by sea oleena and gem club, two artists whose signals have gone dim over the past few years; hearing “portugal” and “england’s countryside,” respectively, feels akin to the familiarity and comfort that washes over when running into a long-lost friend.  on a larger scale, dreams is an affirmation of the outsized power of human relationships and collaborations, proof that enduring and endearing projects can be cultivated at comparatively glacial speeds.  the change of pace is refreshing.

dreams is out today via the fine folks at cascine.  spend some time with the album in full, streaming below.

foxes in fiction – “extinguisher”

– featured image courtesy of brian vu –

nestled among an unforgettable run of pivotal albums released in 2014 by orchid tapes was boring ecstasy, the first compilation offered up by the independent record label.  given the context of its arrival, boring ecstasy felt like a deserved mid-season victory lap; tracks were supplements to each artist’s repertoire, not throwaways, the sum of their parts meticulously curated to highlight key facets of the label’s roster without merely tracing its lineage chronologically.  that early mainstays could be placed adjacent to relative newcomers and not disrupt cohesion was telling, a nod to label co-founder warren hildebrand’s clear-eyed, focused vision for the consistent aesthetic of orchid tapes.

on august 12th, the label will release its sophomore compilation, radiating light: orchid tapes & friends.  as the extended title suggests, radiating light enlists a handful of auxiliary artists for contributions, and the overall tone of the track list feels decisively more collaborative: fog lake and home alone work in tandem for the penultimate cut, while emily reo and yohuna team up for “teach you.”

of course, hildebrand’s notable work extends well beyond running a record label; since 2009, he has released music of his own as foxes in fiction, his collective output a meandering collage of contemplative ambient soundscapes and hushed indie pop.  hildebrand leans towards the latter on “extinguisher,” the second offering culled from radiating light.  the track, built on celestial chord progressions and hildebrand’s processed voice, eventually swells to cinematic heights, staging a cathartic release of incalculable proportions.  take a listen to “extinguisher” below.

mixtape sunday – orchid tapes

 

consider this the precursor to our year-end best-of lists that will start to show up towards the middle of december.  orchid tapes was absolutely on point for the entirety of 2014, releasing ten fantastic albums and one compilation all while successfully transitioning into vinyl distribution.  to honor this site’s favorite record label of the year, we’ve curated a compilation of our own: one that features our favorite track from each of the ten original releases in chronological order.  click the play button above to get started, and then head over to the orchid tapes archives to catch up on any albums you may have missed.

stream and download the new orchid tapes compilation

after stellar offerings from arrange and home alone, orchid tapes has pulled off an admirable hat trick this month with the release of their newest compilation, boring ecstasy: the bedroom pop of orchid tapes.  the aforementioned artists each contribute a track, along with label mainstays ricky eat acid, foxes in fiction, happy trendy, and infinity crush.  there’s even offerings from julia brown (highly recommended) and the sweater i gave you, who has something in the works for the microlabel later this year.  rounding things out is an excellent track from yohuna, “badges,” that has already been covered here at dimestore saints, but it’s still nice to hear the song within the context of the entire album.  vinyl copies of boring ecstasy are available for pre-order here, and you can stream and download the album for free below.