stadiums & shrines – dreams

– featured image courtesy of victoria masters – 

“album of the fortnight” is an occasional feature that digs into a recent release of note. the articles will run roughly during the middle and at the end of each month, always on a friday; the album or body of work in question will have been released at some point during that two-week span.  this column focuses on art that resonates deeply, on pieces that necessitate more than just a knee-jerk reaction.  next up: a compilation curated by stadiums & shrines.

What is a music blog, anyways?  caught up in a seemingly endless stream of press releases and promotional blasts, sites might adopt a reverse-chronological feed, posting multiple items per day; others may adhere more towards a one-a-day policy (hello); still others may publish more intermittently.  regardless of frequency, this small community is passionate about the craft, making a strong case that discovery and curation by human beings can be much more intimate and impactful than the work done by algorithms.

since 2011, the new york-based stadiums & shrines has drifted away from the daily grind of release cycles in favor of an excellent radio show and multimedia collaborations with beloved musicians.  the result of the latter is dreams, a sprawling compilation powered by visual artist nathaniel whitcomb’s collages and contributions from more than twenty artists.  a project that’s equally auditory, visual, and tactile, the physical release of dreams comes with a gatefold book containing “handmade collages and written vignettes — creative exchanges between musicians and … stadium & shrines,” says the site’s dave sutton in an interview with goldflakepaint.

those collages, assembled from a 1950s book on tourism, each contain images from a specific landmass – usually a country, sometimes a province or a state.  after assembly, sets of collages were delivered to specific artists; the “dreams” were the sonic interpretations that were returned, with sutton and matthew sage then adding a written narrative to the audio-visual product.

s&s dreams

many of the resulting songs can certainly be classified as ambient, but perhaps exploratory is a more thematic adjective; indeed, a handful of contributors selected their collages based on places they were visiting or would travel to soon.  wisps of maria usbeck’s tropical buoyancy swirl around the digital bonus track “mexico,” while the pastoral strains of mutual benefit are very much present in his ruminative “bali.”  while quibbling about genre could certainly occur, it’s clear that dreams did not mandate the sacrifice of an artist’s identity for the sake of a predetermined, prescribed aesthetic.  calling cards at times juxtapose or complement their counterparts, providing the compilation with a lush, three-dimensional palette.

tracks that subsequently appeared on an artist’s own project – teen daze’s “alaska” opens his 2013 full-length glacier, while ricky eat acid’s “algeria” is housed within a longer composition on three love songs – feel re-contextualized and reinvigorated here, a testament to stadiums & shrines’ dedication to sequencing.  of course, dreams also boasts stunning pieces that are brand-new to its release, like yumi zouma’s french excursion and the spanish getaway taken by julie byrne and eric littman.  julia lucille’s “norway” in particular stands out, the inherent and effective sparseness of her arrangements lending itself well to a frosty, nordic REM cycle.

like any seminal compilation, the effects of dreams can be felt in myriad ways.  the physical version of the album is bookended by sea oleena and gem club, two artists whose signals have gone dim over the past few years; hearing “portugal” and “england’s countryside,” respectively, feels akin to the familiarity and comfort that washes over when running into a long-lost friend.  on a larger scale, dreams is an affirmation of the outsized power of human relationships and collaborations, proof that enduring and endearing projects can be cultivated at comparatively glacial speeds.  the change of pace is refreshing.

dreams is out today via the fine folks at cascine.  spend some time with the album in full, streaming below.

bing & ruth – “quebec (climber)”

– featured image courtesy of tonje thilesen – 

since 2012, the new york-based website stadiums & shrines has been quietly and carefully commissioning an ongoing sequence of songs collectively titled dreams: an invitation for artists to evaluate black-and-white collages of 1950s tourism photographs and interpret them in their aural likeness.  after accumulating over three hours of dreams over the course of six years, stadiums & shrines has made a capsule of twenty tracks, to be released as a double album alongside a multimedia booklet this june via cascine.

s&s victoria masters.jpg

– s & s curators dave sutton & nathaniel whitcomb (victoria masters) – 

the compilation’s second single, “quebec (climber),” comes from the minimalist-inclined, classical collective bing & ruth.  a six-minute wash of cascading acoustic pianos, haunting strings, and distant warbles of clarinet, “quebec (climber)” is the precise type of lush introspection stadiums & shrines has been known to hang its hat on for a decade now.  with an inherent momentum born from its seafaring inspiration, “quebec (climber)” is a welcome glimpse of things to come from stadiums & shrines’ twenty-song double-album.

dreams is out june 15th via cascine.  listen to bing & ruth’s wonderful “quebec (climber)” below.

listen to a new song from gem club

fresh on the heels of their excellent sophomore album, in roses, boston trio gem club have contributed a stunning track to the website stadiums & shrines, as a part of their “dreams” series.  “mother in comet (dreams of england’s countryside)” is a brief ambient sprawl, forgoing any vocals in order to showcase the ensemble’s heightened awareness for the power of simple textures.  you can stream and download the track below, courtesy of the site’s soundcloud page.