tycho – epoch

– featured image courtesy of lauren crew –

“album of the fortnight” is a new bi-weekly feature that digs into a recent release of note.  the articles will run roughly during the middle and at the end of each month, always on a friday; the album or body of work in question will have been released at some point during that two-week span.  this column focuses on art that resonates deeply, on pieces that necessitate more than just a knee-jerk reaction.  next up: tycho.

The public’s perception of scott hansen’s work as tycho has, up until september 30th, been primarily informed by two studio albums: 2011’s dive and 2014’s awake.  sure, there’s his 2006 debut, past is prologue, but that album feels like a true prologue, just a hint of the aesthetic hansen would soon craft.

dive is aqueous, spacious, patient enough to allow monolithic soundscapes to emerge from subterranean depths.  echoes of chillwave inevitably reverberate off of the album’s cavernous confines, but dive feels primarily concerned with absorbing and retaining as much potential energy as possible.  hansen then released that energy in kinetic form on awake; the acquisition of drummer rory o’connor, kept on retainer by ghostly international before becoming a full-fledged member of tycho, propelled the octet of songs considerably, toying with polyrhythms and busy subdivisions while still letting pockets of ambience bleed into the texture.

it’s fitting, then, that hansen has been so forthcoming about cherry-picking the best of both constructed worlds and inserting them into his latest full-length, epoch.  tycho’s fourth album is an even split between ambient and kinetic, meting out wondrous, pulsating exercises while simultaneously expanding the project’s more pensive arm to turn in thoughtful, incredibly measured interludes as counterpoint.

tycho-epoch

“glider” percolates, “division” stutters, synths on “local” slowly swallow a trebly guitar motif; action verbs are a dime a dozen throughout epoch, a clear-eyed realization of hansen’s near-decade of work.  central melodic figures feel less and less important, as cacophony and fugue structure are more necessary to achieve such a massive, continuous wall of sound.

o’connor’s drumming throughout epoch is an explicit force to be reckoned with.  much of the album’s true nuances don’t present themselves as such, as blistering, metronomic sub-divisions and deft polyrhythmic misdirections are hard to miss.  percussion is the key ingredient to tycho’s secret recipe; epoch reads closer to a rock record than anything else in hansen’s canon, a transformation that can be largely attributed to o’connor’s near-perpetual residence in the foreground of each song’s mix.

epoch has been billed as a dark chapter in the chronicle of tycho, though this ominous tone is, at times, difficult to discern.  maybe it lurks deeper in the shadows, a covert operative.  for those not intimately invested in its creation, epoch reads more like the sunset that can be interpreted from its album artwork: a twilight performance with a final burst of energy before a long, pensive period of hibernation.  perhaps tycho will venture into more overtly murky territory in the future; for now, let epoch soundtrack the waning moments of your day.

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tycho – “epoch”

– featured image courtesy of lauren crew –

scott hansen’s most recent full-length effort under his tycho moniker, 2014’s awake, is a sonic diary outfitted for westward treks via automobile to watch the sun set behind a bank of mountains.  the album’s eight tracks are a perfect union of post-rock grandeur and cascading ambient soundscapes, a mesh of motion and meditation.  after nearly two years of touring endlessly in support of awake, hansen returned home and slowed the project down earlier this year, intent on recording a new album.

it’s not clear if “epoch” is the impending album’s title track, but tycho’s latest single is described as indicative of a darker sonic evolution hansen sees his project taking.  “epoch” still resonates as anthemic – or, more accurately, multiple anthems stacked atop one another to eventually achieve blissful cacophony – but there are enough brooding undercurrents in the track’s murky bass line and hesitant, melancholic synth figures packed in as well to give it a distinctly ominous tone that hasn’t really existed this prominently in tycho’s music before.

the follow-up to awake is gestating; there’s no word on a title or a release date, but the new album will most likely appear sometime next year, probably on tycho’s longtime home, ghostly international.  for now, spend some time with “epoch,” below.

most anticipated albums of 2016

most anticipated 2016kanye snubbed us in 2015.  frank ocean snubbed us in 2015.  rihanna snubbed us in 2015.  james blake snubbed us in 2015.  for every high-profile album that did emerge this year, there seemed to be one that was withheld; as we inch closer to 2016, we’re taking a look at fifteen albums that will hopefully see the light of day in the new year.  alphabetical order is your friend.  dig in after the jump.

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chairliftedchairlift – the two singles chairlift released this fall indicate that the brooklyn duo’s forthcoming album moth, due out january 22nd, will be a bit darker and more ominous than its predecessors, but still more than capable of delivering a smattering of memorable hooks.

daughter banddaughter – not to disappear will most likely be the first impressionable full-length of 2016.  both “doing the right thing” and “numbers” double down on the themes of isolation and incredible sadness explored on if you leave, and the trio’s instrumentation is as lush and expansive as ever.

field divisionfield division – 2015 was a quiet year for the nashville-via-iowa duo, but we’re hoping that field division drop off their full-length follow-up to 2014’s excellent debut reverie state sometime very soon.

florist bandflorist – emy sprague’s appropriately-bucolic quartet florist popped up on our radar earlier this fall with holdly, a compact ep crammed with sharp songwriting and memorable melodies that thankfully serves as a placeholder for the birds outside sang, a full-length coming january 29th via double double whammy.

frank oceanfrank ocean – who knows where frank ocean is at?  the follow-up to his profound 2012 album channel orange is still missing-in-action, and probably will be for some time.  here’s to hoping that 2016 is the year that it finally surfaces.

james blakejames blake – radio silence was due in the spring of 2015, then the fall, and now the album is promised in the early months of 2016.  we’ll wait; hopefully it arrives in the dead of winter and provides solace for those cold, cruel months.

kanye westkanye west – yeezy season is perpetual.  kanye teased snippets of what could be on swish – “all day,” “fourfiveseconds,” “only one,” “wolves” – throughout 2015, but the album’s name could change again, and its release date certainly isn’t set in stone.  expect the internet to collectively lose it when new kanye material does drop, though.

mmryhsememoryhouse – one of the more pleasant surprises of this year has been the reemergence of memoryhouse.  the canadian dream-pop duo are prepping their sophomore album, soft hate, for a january release, and sneak peaks “dream shake” and “arizona” suggest the two have picked up right where they left off in 2012.

mick jenkinsmick jenkins – the healing component is the end game that mick jenkins has hinted at all along.  2014 delivered a very well-received mixtape in the water[s] followed by a new ep this year, wave[s], so it stands to reason that a proper full-length would come next.

pillar pointpillar point – scott reitherman will continue to hone his signature brooding electro-pop on marble mouth, out january 22nd via polyvinyl.  “dove” is already pillar point’s best work to date, accentuating both extremities of reitherman’s timbral spectrum; the rest of the album should at least be on par.

pity sexpity sex – michigan quartet pity sex effortlessly blended shoegaze with bits of pop-punk and emo on their excellent 2013 debut feast of love, and now the band is gearing up to drop white hot moon this coming spring via run for cover records.  be ready for ample amounts of forlorn looks.

the 1975the 1975 – if you want a huge pop record in 2016, you probably won’t have to look any further than the 1975.  matt healy’s manchester outfit is slated to release i like it when you sleep, for you are so beautiful yet so unaware of it in february, and its early singles hint at a massive, killers-esque synth-pop romp.

tychotycho – scott hansen and company have decamped to work on the follow-up to 2014’s excellent awake.  if analog synth-driven ambient soundscapes are your thing, you’ll be particularly enthused when the new tycho album drops.

vancouver sleep clinicvancouver sleep clinic – the vancouver sleep clinic camp was frustratingly dormant all year, but project architect tim bettinson has promised something substantial in 2016.  whether that something is an album or an ep remains to be seen, however.

wild nothingwild nothing – jack tatum will deliver a new wild nothing album, life of pause, february 19th via captured tracks.  it’s the band’s first record in nearly four years, and will be a welcomed addition to an already-stellar discography.