yours are the only ears – knock hard

– featured image courtesy of alyssa yohana –

“album of the fortnight” is a bi-weekly feature that digs into a recent release of note. the articles will run roughly during the middle and at the end of each month, always on a friday; the album or body of work in question will have been released at some point during that two-week span.  this column focuses on art that resonates deeply, on pieces that necessitate more than just a knee-jerk reaction.  next up: yours are the only ears.

Even after susannah cutler began sharing her music publicly in 2014, its dissemination was incredibly measured: a track here, an extended play there, each release a quick glimpse inside a setting so intimate it’s nearly indescribable.  with knock hard, her first full-length release as yours are the only earscutler has finally allowed full immersion into the innermost depths of her private world.

the album’s nine tracks contain a standard palette so sparing that each foreign element introduced carries weight of seismic proportions; the aqueous synth pads on “to be alone” whisk the track away on a solitary voyage to sea, while the melancholic slide motif at the tail end of “seeds” seems to add a second wistful character to the conversation.  the sparseness is a necessity – best not to bury one’s soul being bared in the mix – and comes in handy for a project so centered around the second person, light finger-picking progressing softly in the background as cutler confides in hushed tones.

yatoe knock hard.jpg

despite its enduring sonic warmth and inherently bucolic tendencies, knock hard grapples with the darker questions of existence and belonging, from opening number “saturn” through to its finale, “low.”  there’s a quiet existential crisis housed in the early standout “fire in my eyes,” cutler’s voice embodying the album’s fragility as it cracks over the repeated inquiry “am i a good person?,” while the gritty “enter me” ruminates on the effects of abrupt abandonment, observing that “comfort makes a funny face / when it goes away.”

clocking in at just under thirty minutes, knock hard is a tidy bundle of understated folk songs, acoustic guitars supplemented by well-placed synth countermelodies and barebones percussion.  songs frequently eschew identifiable refrains, cutler instead favoring streams of consciousness that may be tied together by a common vocal melody or a simple but potent mantra.  it’s this choice that gives knock hard its gravity, a versatile strategy that allows cutler to either chart a linear course towards reckoning or to disappear into the contours of a specific emotion or situation.

an album at least four years in the making, the debut from yours are the only ears is essential listening, the strength of its whispered intimacy becoming more apparent each time the needle contacts the wax.  knock hard is out now via team love records.  listen in full below.

yours are the only ears – “you and bobby”

– featured image courtesy of daniel dorsa – 

just two weeks out from the release of her debut full-length, susannah cutler has shared the album’s final single, “you and bobby.”  like the rest of cutler’s output at the helm of yours are the only ears, “you and bobby” is incredibly measured, doling out precise parcels of vivid imagery, storytelling that wends through optimism and desolation before arriving at its final destination.

the sparse instrumentation gradually fills out as the song progresses, the keyboards exploring more motion with the percussion as rigid acoustic fingerpicking ventures into an upper register.  but it’s when everything drops out that “you and bobby” reaches critical mass, the faint pulse of a kick drum and the warbling current of organ pads absorbing the weight and resolution of cutler’s lyrics.

knock hard is out may 11th via team love records.  listen to “you and bobby” below.

yours are the only ears – “fire in my eyes”

– featured image courtesy of daniel dorsa – 

susannah cutler has constructed an entire realm of sound around a foundation of potent, affecting lyrics.  the building blocks that comprise the sonic architecture of cutler’s work as yours are the only ears feel less sparse than they do exhaustively sourced and meticulously placed, a curation of complementary timbres that accentuate the sheer weight of her lyrics.

ahead of the release of her debut album, knock hard, cutler has shared its third single, “fire in my eyes.”  bucolic acoustic finger-pickings coexist with an ominous sub-bass synth line, an unsettling juxtaposition that functions as an analog to cutler’s vacillations about the song’s subject.  her audience bears witness to all the hesitations that accompany a toxic relationship’s dissolution, culminating in the heartbreaking, repeated inquiry of “am i a good person?”  it’s a tour de force of emotion, snippets of memories stitched together into an unforgettable, hypothetical narrative.

knock hard is due may 11th via the esteemed team love records.  listen to the powerful “fire in my eyes” below.

yours are the only ears – “seeds”

– featured image courtesy of allyssa yohana – 

susannah cutler’s output as yours are the only ears has thus far been sparse but affecting; a handful of standalone singles, along with an extended play, can be digested via the project’s bandcamp archives.  at the end of last year, cutler released “saturn,” a wondrous single culled from her long-awaited debut album.  that debut album now has a title, knock hard, along with a new single, “seeds.”

“seeds” arrives with a music video, directed by allyssa yohana, in tow, its audio and visual components dovetailing to create an acoustic, autumnal environment perfect for exploring a relationship’s end.  resonant steel strings and mournful slide guitars converge around cutler’s lead vocal, which is laid bare twice at its most poignant couplet: “the bark around my heart won’t peel off / as my body slowly rots.”  with just a few components tastefully arranged for maximum impact, “seeds” is another telling precursor to one of this year’s most-anticipated albums.

knock hard is out may 11th via team love records.  watch the music video for “seeds” below.

yours are the only ears – “saturn”

– featured image courtesy of daniel dorsa – 

as the year mercifully winds down, we wanted to spend some time with a song that has been in heavy rotation as of late, a glimpse of one of our most anticipated albums of 2018.

susannah cutler assumed the moniker yours are the only ears in 2014, releasing a handful of singles and an extended play over the past three years.  her work is intimate, frank; an invitation to spend some time pondering whatever it is that may need pondering.  in november, cutler shared “saturn,” a preview of her debut album that’s due next year via team love records.

“saturn” is understated yet heartbreaking, as cutler reconciles potential abandonment against a union of electric piano and acoustic guitar whose warmth seemingly belies the prevailing sentiment.  stick around, however, for fleeting optimism; instrumentation and lyrics align in the song’s final minute as cutler gives her parting thoughts: “follow your heart / love your own art / just maybe you won’t have to restart / if time heals you won’t fall apart.”

“saturn” is all but guaranteed to leave a lasting impression, and repeated immersion only increases the anticipation for its accompanying full-length.  take a listen below.

most anticipated albums of 2018

featured image courtesy of minimally minimal –

as 2017 draws to a close, we naturally shift our focus to 2018 and the bevy of albums slated to be released throughout the year.  admittedly, the following list largely focuses on albums due out in the first quarter, with a couple of pipe dreams sprinkled in.  for those still trying to soak up as much of 2017 as possible, check out our favorite releases of the year here.  for those looking to forge ahead, read on.  links to pre-order are embedded if available.

rhyerhye – blood (february 2nd || loma vista)

three strong singles have thus far precluded rhye’s long-awaited sophomore full-length.  after returning this summer with “please,” rhye closed out 2017 with the supple one-two punch of “taste” and “count to five.”  if the samplings and album art are any indication, mike milosh’s work remains as intimate and sensual as ever.

 

Hovvdy Cranberryhovvdy – cranberry (february 9th || double double whammy)

austin duo hovvdy released one of 2016’s most enduring – and endearing – albums in taster.  cranberry, their first since signing to the venerable double double whammy, seems poised to flesh out the warm, lived-in aura that permeates their disarmingly honest work.  case in point: lead single “petal” drips with nostalgia, its assured pace gently giving way to tender falsetto.

 

quiet friendquiet friend – quiet friend (march 9th || elestial sound)

after years of releasing music by himself under the moniker mister lies, nick zanca has shifted into collaborative mode to build quiet friend with steven rogers.  the duo, along with a rotating cast of other contributors, sculpt an audiophile’s dreamscape; lead single “safe” is a whirlwind, but is also just a hint of what quiet friend have in store throughout their self-titled debut.

– other notable releases – 

a grave with no name – passover (january 19th || forged artifacts)

nadine – oh my (january 26th || father/daughter)

triathalon – online (february 16th || broken circles)

s. carey – hundred acres (february 23rd || jagjaguwar)

lucy dacus – historian (march 2nd || matador)

half waif – lavender (tbd || cascine)

helena deland – tba (tbd || luminelle)

ness nite – dream girl (tbd || pow recordings)

pat moon – tba (tbd || track & field)

yours are the only ears – tba (tbd || team love)